The Body: Form and Composition

In this collaboration, Gabriel Dusil photographs Margot in a sequence that moves from close, vertical framing to broader horizontal compositions. The shift in scale changes how the figure occupies the image and invites attention to gesture, proportion and the space around the subject.

The seven photographs form a continuous study rather than a collection of isolated poses. Their original order gives the editorial its rhythm, with every photograph presented individually and at its own aspect ratio.